#: locale=ms-MY

## Action

### URL
LinkBehaviour_26A0411F_160B_1F9F_41A2_8B45A28C1AFA.source = https://twitter.com/finasmy
LinkBehaviour_2D157904_343A_F277_41BF_59CD861455C1.source = https://twitter.com/finasmy
LinkBehaviour_2DDFAAD2_3425_B790_41C5_E8518C8006D1.source = https://www.facebook.com/malaysiafinas/
LinkBehaviour_25AAAD52_160D_27E0_4195_0951553A8DAA.source = https://www.facebook.com/malaysiafinas/
LinkBehaviour_3924AA97_1605_6D6F_41B2_76B49459A4BB.source = https://www.instagram.com/finasmalaysia/
LinkBehaviour_2D8370E4_3425_93B0_41A3_A67F1956D6FC.source = https://www.instagram.com/finasmalaysia/
LinkBehaviour_3916C3BF_1606_E2A0_41B6_199DAA700692.source = https://www.tiktok.com/@finasmalaysia
LinkBehaviour_2E84CF81_343A_8E71_41C1_716490C06A5B.source = https://www.tiktok.com/@finasmalaysia
LinkBehaviour_2E03E61B_343A_9E90_41BA_8B746BA285B5.source = https://www.youtube.com/@FinasMalaysiaMY
LinkBehaviour_2635A7EE_1605_E2A1_41A8_FFBBC2822287.source = https://www.youtube.com/@FinasMalaysiaMY

## Hotspot

### Text
QuadHotspotPanoramaOverlayTextImage_F5240C2A_E115_DBA8_41E7_27176512AAEC.text =   PROJECTION MAPPING
QuadHotspotPanoramaOverlayTextImage_282A80D5_702D_0843_41CD_AA08FEAA97FF.text = A.R TOMPEL
QuadHotspotPanoramaOverlayTextImage_20214E0C_705F_1BC0_41D8_A784CC5123AE.text = A.R TOMPEL
QuadHotspotPanoramaOverlayTextImage_282A20DA_702D_0841_41C3_515D1AF4E370.text = AHMAD MAHMOOD
QuadHotspotPanoramaOverlayTextImage_26EC0E50_7065_3840_41D8_408C44F0169E.text = AHMAD MAHMOOD
QuadHotspotPanoramaOverlayTextImage_25F6C22D_7063_0BC0_4178_EEF105E28712.text = AZIZ SATAR
QuadHotspotPanoramaOverlayTextImage_CCC2E9BF_E78B_8FA3_41D0_0F12A7D459A7.text = AZIZ SATAR
HotspotPanoramaOverlayTextImage_12EBEE4E_4183_CED5_41CA_25D424B82C26.text = Audio Mixing Console
HotspotPanoramaOverlayTextImage_1293AFBC_4187_CDB5_41D0_6854DFD2C926.text = Audio Mixing Console
HotspotPanoramaOverlayTextImage_57163D8C_4080_5602_41C8_2B4256DA29D1.text = Audio Mixing Console
HotspotPanoramaOverlayTextImage_6D625610_4080_5E4D_41B9_402853358300.text = Audio Mixing Console
HotspotPanoramaOverlayTextImage_467E011B_6EB7_E274_41C6_A4DBC5741AF2.text = BILIK ANALISA
HotspotPanoramaOverlayTextImage_49F11014_6EAB_A27C_41DA_F0A0F16A2C73.text = BILIK BANCUHAN KIMIA
HotspotPanoramaOverlayTextImage_2D0AD735_302E_97DB_41B1_6A735074CA95.text = BILIK KAWALAN MEMPROSES
HotspotPanoramaOverlayTextImage_6FFE4497_71E3_00FF_41B7_E7741BAB3AD1.text = BILIK MELARAS FILEM
HotspotPanoramaOverlayTextImage_6C0D2B43_71E5_0057_41B0_D215D830BABC.text = BILIK MELARAS SEMUA FILEM
HotspotPanoramaOverlayTextImage_2C702DE6_303E_9A79_41C1_BCC8FDA8F172.text = BILIK NEGATIVE
HotspotPanoramaOverlayTextImage_6C71206C_71E5_0050_41C0_BB12DC625C3B.text = Bilik Mencetak Filem Optikal
HotspotPanoramaOverlayTextImage_2B088589_347E_F271_41A3_9BBCEE8EAF16.text = Bilik Mesin Animasi \

QuadHotspotPanoramaOverlayTextImage_2B6A9322_7067_09C1_41D4_B6B5278675AD.text = JINS SAMSUDIN
QuadHotspotPanoramaOverlayTextImage_1D9FE590_7027_08C1_41C1_87FC02951D3B.text = JINS SAMSUDIN
QuadHotspotPanoramaOverlayTextImage_256AF584_7063_08C1_41B3_8597DCA9C3F9.text = JINS SAMSUDIN
QuadHotspotPanoramaOverlayTextImage_2BE093D9_703F_0843_41CE_F26C4DD26F57.text = JINS SAMSUDIN
QuadHotspotPanoramaOverlayTextImage_2A0553C1_7065_0843_41D3_15DCB490BAD4.text = M. AMIN
QuadHotspotPanoramaOverlayTextImage_2855E0E0_702D_0841_41C8_6D8D083E03B2.text = M. AMIN
HotspotPanoramaOverlayTextImage_6F92902C_71E7_1FD0_41DC_98D879652B3D.text = MAKMAL 14
QuadHotspotPanoramaOverlayTextImage_D473BA19_F397_676F_41C7_E5EB2A9C57BB.text = MOMI ARTEFACT
HotspotPanoramaOverlayTextImage_6CE3EA5D_4080_F6F7_41C7_68A67DEB950C.text = MOTION PICTURE PRINTING EQUIPMENT CO. PRECISION PETERSON DESIGNED
HotspotPanoramaOverlayTextImage_1F7845E0_4180_DDCD_41C9_F358C232EA7C.text = MOTION PICTURE PRINTING EQUIPMENT CO. PRECISION PETERSON DESIGNED
HotspotPanoramaOverlayTextImage_131F4D95_4180_7277_41C2_25B1CB83CBEC.text = MOTION PICTURE PRINTING EQUIPMENT CO. PRECISION PETERSON DESIGNED
HotspotPanoramaOverlayTextImage_6C934EB6_4080_CFB5_41D1_255B2979235F.text = MOTION PICTURE PRINTING EQUIPMENT CO. PRECISION PETERSON DESIGNED
HotspotPanoramaOverlayTextImage_6EABACC3_4080_53D3_41BB_89B38F381C43.text = MOVIOLA EDITING MACHINE (1950)
HotspotPanoramaOverlayTextImage_1F7955CF_4180_DDD3_4174_80DAC54D722C.text = MOVIOLA EDITING MACHINE (1950)
HotspotPanoramaOverlayTextImage_1311ED9D_4180_7277_41BD_5A77DC74F99D.text = MOVIOLA EDITING MACHINE (1950)
HotspotPanoramaOverlayTextImage_6CAB1E3C_4080_4EB5_41AB_439ADD0C5B23.text = MOVIOLA EDITING MACHINE (1950)
QuadHotspotPanoramaOverlayTextImage_2855A0DF_702D_087F_41C5_A195B1FA4F70.text = MUSTAPHA MA'AROF
QuadHotspotPanoramaOverlayTextImage_2B7CB0BF_7063_083F_41D1_666CC764E2F8.text = MUSTAPHA MA'AROF
HotspotPanoramaOverlayTextImage_6E2E1D2F_71E7_01D0_41C9_2D6A606393C0.text = Makmal Filem Warna P. Ramlee Entrance
QuadHotspotPanoramaOverlayTextImage_2BE023D8_703F_0841_41DB_D99E6C40BE16.text = NORDIN AHMAD
QuadHotspotPanoramaOverlayTextImage_27C074C6_7063_0841_41D9_8A11376FC164.text = NORDIN AHMAD
QuadHotspotPanoramaOverlayTextImage_2ACF204B_7065_0840_41D2_C4C0F20D50DD.text = NORDIN AHMAD
QuadHotspotPanoramaOverlayTextImage_2AF7C4CE_7023_0841_41DE_B3FF0AD3A280.text = NORDIN AHMAD
QuadHotspotPanoramaOverlayTextImage_26E9CB49_7063_1843_41BE_BBB83CB5FA64.text = OMAR ROJIK
QuadHotspotPanoramaOverlayTextImage_2350A3CF_7023_085F_41DF_0DC2884139E7.text = OMAR ROJIK
QuadHotspotPanoramaOverlayTextImage_2BE013D7_703F_084F_41D3_E6CD166F63D6.text = OMAR ROJIK
QuadHotspotPanoramaOverlayTextImage_2A74E429_7065_0FC0_41D3_62E0246354D8.text = OMAR ROJIK
QuadHotspotPanoramaOverlayTextImage_25ABCB8F_7064_F8DF_41DD_15C5B92D1A4D.text = P. RAMLEE
QuadHotspotPanoramaOverlayTextImage_CD636C8A_E786_8462_41EA_16F5793D8EAD.text = P. RAMLEE
HotspotPanoramaOverlayTextImage_6CA9620C_71E5_03D0_41D0_AAB75CAB7D40.text = Peralatan Arri Laser \

HotspotPanoramaOverlayTextImage_2B0F0583_347E_F270_41C0_45FCE2D981FF.text = Perpustakaan Interaktif
HotspotPanoramaOverlayTextImage_6D30F69E_4080_5E75_41C1_2636974A9993.text = RANK CINTEL TELECINE MACHINE MODEL MK III (1990s) 
HotspotPanoramaOverlayTextImage_1293DFC9_4187_CDDF_41C4_3D9C2CC19335.text = RANK CINTEL TELECINE MACHINE MODEL MK III (1990s) 
QuadHotspotPanoramaOverlayTextImage_21537D71_7025_1843_41A0_AC77215CD7E9.text = ROSEYATIMAH
QuadHotspotPanoramaOverlayTextImage_2BE323D3_703F_0847_41DC_EBFF2F72770F.text = ROSEYATIMAH
QuadHotspotPanoramaOverlayTextImage_21344FBA_7063_38C1_41DE_AE2B8424583C.text = ROSEYATIMAH
QuadHotspotPanoramaOverlayTextImage_254EBB44_7067_3841_41D4_DAE473AE9F7E.text = ROSEYATIMAH
HotspotPanoramaOverlayTextImage_4A42EBAE_6EB7_A5AC_41C0_1CE5EF30E012.text = RUANG MEMPROSES FILEM
HotspotPanoramaOverlayTextImage_4A34916E_6EB8_E2AC_41C6_8146CC0722EF.text = Ruang Memproses Filem 2
QuadHotspotPanoramaOverlayTextImage_2469F3D0_7067_0840_41BE_A81D3DC8C512.text = S. ROOMAI NOOR
QuadHotspotPanoramaOverlayTextImage_28F98A1A_7027_1BC1_41CE_DDAD95F68023.text = S. ROOMAI NOOR
QuadHotspotPanoramaOverlayTextImage_223F2B9D_702D_18C3_41C8_D2AA720771AF.text = S. ROOMAI NOOR
QuadHotspotPanoramaOverlayTextImage_22F5800F_7065_07DF_41DA_8F1BE2EAE4A0.text = S. ROOMAI NOOR
QuadHotspotPanoramaOverlayTextImage_27D53D81_7027_38C0_41D4_0C0D7A95A9C5.text = SA'AIDAH
QuadHotspotPanoramaOverlayTextImage_24C7FD20_7067_F9C0_41A9_254AA536A02A.text = SA'AIDAH
QuadHotspotPanoramaOverlayTextImage_203148EA_7065_1841_41DF_2DE38350BFBF.text = SA'AIDAH
QuadHotspotPanoramaOverlayTextImage_2BE383D4_703F_0841_41DF_0D366827BF4F.text = SA'AIDAH
HotspotPanoramaOverlayTextImage_6A4A3D38_408F_D2BD_419C_FB1D75C99EFB.text = SOUNDCRAFT SERIES 1S AUDIO MIXER (1970s)
HotspotPanoramaOverlayTextImage_577DFDE4_405F_EE29_4194_A6C544803C52.text = SOUNDCRAFT SERIES 1S AUDIO MIXER (1970s)
HotspotPanoramaOverlayTextImage_52A4BF80_4080_5203_419A_3411FEFCB19C.text = SOUNDCRAFT SERIES 1S AUDIO MIXER (1970s)
HotspotPanoramaOverlayTextImage_11686521_4181_B24F_41C5_85CDA8116D6E.text = SOUNDCRAFT SERIES 1S AUDIO MIXER (1970s)
HotspotPanoramaOverlayTextImage_12F3AE49_4183_CEDF_41C1_54EDD8FF6177.text = STUDIO PROJECTOR TYPE PR-635-B  \
MAGNA-TECH ELECTRONIC (serial no. 390)
HotspotPanoramaOverlayTextImage_6C3473F3_4080_B5B3_41D0_73F7D25C6B65.text = STUDIO PROJECTOR TYPE PR-635-B  \
MAGNA-TECH ELECTRONIC (serial no. 390)
HotspotPanoramaOverlayTextImage_1292BFC0_4187_CDCD_41C0_D27ED2E0B4AA.text = STUDIO PROJECTOR TYPE PR-635-B  \
MAGNA-TECH ELECTRONIC (serial no. 390)
HotspotPanoramaOverlayTextImage_56D1E1F2_4080_AE07_41C8_AD64440B663C.text = STUDIO PROJECTOR TYPE PR-635-B  \
MAGNA-TECH ELECTRONIC (serial no. 390)
HotspotPanoramaOverlayTextImage_12936FC5_4187_CDD7_4192_C1104DE8F6B1.text = TEENBECK FLATBED FILM EDITING (2000s)
HotspotPanoramaOverlayTextImage_63BB7DCD_4087_CDD7_41B8_CF2EF9D45DC1.text = TEENBECK FLATBED FILM EDITING (2000s)
HotspotPanoramaOverlayTextImage_6367EC61_4080_52CF_41C5_3CB7631A2FBE.text = TEENBECK FLATBED FILM EDITING (2000s)
HotspotPanoramaOverlayTextImage_1F61A5C0_4180_DDCD_41C3_D7D1CD5442F0.text = TEENBECK FLATBED FILM EDITING (2000s)
HotspotPanoramaOverlayTextImage_1F805E31_4180_4E4F_41C1_6FD3E1C550B1.text = TEENBECK FLATBED FILM EDITING (2000s)
HotspotPanoramaOverlayTextImage_6CFF200F_4080_5253_41D0_7251F6C6D4B6.text = TEENBECK FLATBED FILM EDITING (2000s)
HotspotPanoramaOverlayTextImage_6377352E_4080_7255_41B7_6309C7BB7099.text = VIDEO CASSETTE RECORDER (VCR) BR6400TR
HotspotPanoramaOverlayTextImage_128BBFB3_4187_CDB3_41C7_EEDC04982D31.text = VIDEO CASSETTE RECORDER (VCR) BR6400TR
HotspotPanoramaOverlayTextImage_6938C4E9_4080_53DF_41BF_0C62F70A4868.text = VIDEO CASSETTE RECORDER (VCR) BR6400TR
HotspotPanoramaOverlayTextImage_12EBFE56_4183_CEF5_41CE_A30F9DD42583.text = VIDEO CASSETTE RECORDER (VCR) BR6400TR
HotspotPanoramaOverlayTextImage_628DD713_4080_DE73_41CD_8D14017A865A.text = VIDEO CASSETTE RECORDER BR-S822E
HotspotPanoramaOverlayTextImage_1292CFB8_4187_CDBD_41C6_B0A05E59D872.text = VIDEO CASSETTE RECORDER BR-S822E
HotspotPanoramaOverlayTextImage_6C8F9EFF_4080_4FB3_41C0_142B30342B49.text = VIDEO CASSETTE RECORDER BR-S822E 
HotspotPanoramaOverlayTextImage_12E8BE52_4183_CECD_41C9_A096DE201918.text = VIDEO CASSETTE RECORDER BR-S822E 

### Tooltip
overlay_2D450EA4_343A_8FB7_41A0_0E32FD61B868.toolTip = Klik untuk ke laman rasmi Facebook kami
overlay_23450F66_343A_8EB3_41C1_B97B855755F3.toolTip = Klik untuk ke laman rasmi Instagram kami
overlay_2C94E0E5_343D_93B1_41A7_8FF6E489EA05.toolTip = Klik untuk ke laman rasmi TikTok kami
overlay_2CBC4517_343D_7290_41A4_5A2BB2B92686.toolTip = Klik untuk ke laman rasmi X kami
overlay_23670CA1_343F_73B0_41A3_0AB83F471E3B.toolTip = Klik untuk ke laman rasmi Youtube kami
HotspotPanoramaOverlayArea_6A495D38_408F_D2BD_41CC_44DE923FA44E.toolTip = Klik untuk paparan 3D
HotspotPanoramaOverlayArea_9A79BDCF_E681_3311_41E5_7CC4B1B1F367.toolTip = Klik untuk paparan 3D

## Media

### 360 Video

### Audio
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### Audio Subtitles

### Image
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### Popup Image

### Title
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### Video Subtitles

## Skin

### Button
Button_D573EF2B_F3BB_3DA3_41CA_7DA2DDFA17E8.label = MAKMAL WARNA
Button_C07E9E78_CE1A_8530_41CA_456A506AA21F.label = MASUK
Button_159A43EF_3427_95B0_41C8_9030250129CC.label = MEDIATHEQUE
Button_F91585AF_E181_3311_41D7_BE6BDCF3A7C7.label = Mulakan Sekarang
Button_159A83F1_3427_9590_41C4_D82ACCEA8819.label = PANGGUNG MEDIA
Button_DAF3003B_F3B9_63A2_41D6_0216872F7A16.label = PANGGUNG SALOMA

### Image
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Image_CAF6AA75_E381_71F1_41BB_232CE8B98203.url = skin/Image_CAF6AA75_E381_71F1_41BB_232CE8B98203_ms-MY.png
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Image_CB7412A8_E387_111F_41CC_6288B1767660.url = skin/Image_CB7412A8_E387_111F_41CC_6288B1767660_ms-MY.png
Image_CB760AC6_E380_F113_41D0_B3286BDB781B.url = skin/Image_CB760AC6_E380_F113_41D0_B3286BDB781B_ms-MY.png
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Image_CBC2446A_E383_1113_419B_8D6E4E55F0C4.url = skin/Image_CBC2446A_E383_1113_419B_8D6E4E55F0C4_ms-MY.png
Image_D4914D1B_F398_DD63_41D1_4BAEA1C7CD7D.url = skin/Image_D4914D1B_F398_DD63_41D1_4BAEA1C7CD7D_ms-MY.png
Image_DFA614FF_E183_12F1_41E9_F06087A78129.url = skin/Image_DFA614FF_E183_12F1_41E9_F06087A78129_ms-MY.png

### Label
Label_5CF3477E_6D23_E16B_41CB_029273878E1A.text = BILIK ANALISA
Label_5CC0B93A_6D23_EEE8_41DA_ACA1BEB3C36B.text = BILIK ANALISA
Label_58C46BE3_6D21_6199_41AA_6D92446B82B3.text = BILIK BANCUHAN KIMIA
Label_E0DEFD13_F748_D25B_41D0_2260C8151C54.text = BILIK BANCUHAN KIMIA
Label_5F38A4DC_6D21_67AF_41C9_2CBBBFD89503.text = BILIK BANCUHAN KIMIA
Label_E00A660F_F749_BE4C_41EA_2ABFD6060522.text = BILIK BANCUHAN KIMIA
Label_E1464D78_F759_B2D4_41E6_3560FBF6C137.text = BILIK KAWALAN MEMPROSES
Label_E0DB9705_F749_FE3C_41A6_C0690A1AFCAA.text = BILIK KAWALAN MEMPROSES
Label_5FE7CD9C_6D23_A1AF_41D8_51BE43EC43EE.text = BILIK MELARAS FILEM
Label_5C277633_6D23_A2F9_41DA_33017C33CAD3.text = BILIK MELARAS FILEM
Label_5C502953_6D2E_EEB9_4158_879BD64C901D.text = BILIK MELARAS SEMUA FILEM
Label_5C79641C_6D2E_A6AF_41D8_58A6738FC3FE.text = BILIK MELARAS SEMUA FILEM
Label_5AD56616_6D2F_A2BB_41D4_E28EDD6F5468.text = BILIK MENCETAK FILEM OPTICAL
Label_5B038DCD_6D2F_A1A9_41B1_2C759952852E.text = BILIK MENCETAK FILEM OPTICAL
Label_159F63FC_3427_9597_41C4_F09D175C8F20.text = BILIK MESIN ANIMASI
Label_159FD3FD_3427_9591_41C2_16F14D6B3868.text = BILIK MESIN ANIMASI
Label_5F4421BB_6D21_61E9_41C6_B65835BC9AA3.text = BILIK NEGATIVE
Label_5F7B2A0E_6D21_62AB_41CA_F11C41ABA110.text = BILIK NEGATIVE
Label_5CBEC9AC_6D23_61EF_41DA_248CC88EAE49.text = MAKMAL 14
Label_5C7FEE46_6D23_629B_41CE_257A2AB3FC12.text = MAKMAL 14
Label_5FD4B700_6D2E_A297_4188_2D7F1FB156B0.text = PERALATAN ARRI LASER
Label_5C0E3F4E_6D2E_A2AB_41D9_8AC268318A3D.text = PERALATAN ARRI LASER
Label_159C83F6_3427_9593_41BA_9A352A0B07E1.text = PERPUSTAKAAN INTERAKTIF
Label_159C83F7_3427_9591_41BF_0BF449A32DE8.text = PERPUSTAKAAN INTERAKTIF
Label_5A786D20_6D27_6697_41D9_C7482B6E4D01.text = RUANG MEMPROSES FILEM
Label_5A29F373_6D27_6179_41C3_F08580F0CB3F.text = RUANG MEMPROSES FILEM
Label_5FD819FF_6D26_E169_41A3_049DF756CDBD.text = RUANG MEMPROSES FILEM 2
Label_5F96CEE7_6D26_A399_41CE_845D8B68FD98.text = RUANG MEMPROSES FILEM 2

### Multiline Text
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HTMLText_291F2318_7025_09C0_41AE_5B404FBDDD6A.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:118%;text-align:left;font-size:2.7563395810363835vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:2.76vh;font-family:'Cinzel Bold';"><B>Kariernya Bermula Dan Berakhir Di Samping P. Ramlee</B></SPAN></SPAN></DIV><DIV STYLE="line-height:118%;text-align:left;font-size:2.7563395810363835vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:2.76vh;font-family:'Cinzel Bold';"><B>(1943-1987)</B></SPAN></SPAN></DIV><DIV STYLE="line-height:118%;text-align:left;font-size:9.151047409040793vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:9.15vh;font-family:'Cinzel Bold';"><B>ROSEYATIMAH</B></SPAN></SPAN></DIV></div>
HTMLText_97B2F2FA_848E_D11B_41D8_6D14C5C1E650.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:73%;text-align:left;font-size:3.858875413450937vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.86vh;font-family:'Cinzel Bold';"><B>Seniman Merentas Zaman </B></SPAN></SPAN></DIV><DIV STYLE="line-height:73%;text-align:left;font-size:3.858875413450937vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.86vh;font-family:'Cinzel Bold';"><B>(1935 - 2014)</B></SPAN></SPAN></DIV><DIV STYLE="line-height:73%;text-align:left;font-size:9.481808158765158vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:9.48vh;font-family:'Cinzel Bold';"><B>MUSTAPHA</B></SPAN></SPAN></DIV><DIV STYLE="line-height:73%;text-align:left;font-size:9.481808158765158vh;"><SPAN STYLE="vertical-align:super;display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:9.48vh;font-family:'Cinzel Bold';"><B>MA'AROF</B></SPAN></SPAN></DIV></div>
HTMLText_2A2F2461_70E3_0840_41D5_FF73F9FD3BE0.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:76%;text-align:left;font-size:3.858875413450937vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.86vh;font-family:'Cinzel Bold';"><B>Bintang Di Langit Seni </B></SPAN></SPAN></DIV><DIV STYLE="line-height:76%;text-align:left;font-size:3.858875413450937vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.86vh;font-family:'Cinzel Bold';"><B>(1927 - 2008)</B></SPAN></SPAN></DIV><DIV STYLE="line-height:76%;text-align:left;font-size:9.261300992282251vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:9.26vh;font-family:'Cinzel Bold';"><B>AHMAD</B></SPAN></SPAN></DIV><DIV STYLE="line-height:76%;text-align:left;font-size:9.261300992282251vh;"><SPAN STYLE="vertical-align:super;display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:9.26vh;font-family:'Cinzel Bold';"><B>MAHMOOD</B></SPAN></SPAN></DIV></div>
HTMLText_963576F9_8487_D126_41D7_8C642CC40CD9.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:87%;text-align:left;font-size:3.7486218302094816vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.75vh;font-family:'Cinzel Bold';"><B>Ikon Purbawara Melayu (1929-1971)</B></SPAN></SPAN></DIV><DIV STYLE="line-height:93%;text-align:left;font-size:7.276736493936053vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:7.28vh;font-family:'Cinzel Bold';"><B>NORDIN</B></SPAN></SPAN></DIV><DIV STYLE="line-height:93%;text-align:left;font-size:7.276736493936053vh;"><SPAN STYLE="vertical-align:super;display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:7.28vh;font-family:'Cinzel Bold';"><B>AHMAD</B></SPAN></SPAN></DIV></div>
HTMLText_C3B37E4F_E685_84E2_41EA_AC0F3A82688D.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:97%;text-align:left;font-size:3.7486218302094816vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.75vh;font-family:'Cinzel Bold';"><B>Masih Bertakhta Di Belantara Seni</B></SPAN></SPAN></DIV><DIV STYLE="line-height:97%;text-align:left;font-size:3.7486218302094816vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.75vh;font-family:'Cinzel Bold';"><B>(1929-1973)</B></SPAN></SPAN></DIV><DIV STYLE="line-height:97%;text-align:left;font-size:10.86999999999999vh;"><SPAN STYLE="vertical-align:super;display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:10.87vh;font-family:'Cinzel Bold';"><B>P.RAMLEE</B></SPAN></SPAN></DIV></div>
HTMLText_24F5A31A_7063_09C1_41DA_9466675A3880.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:98%;text-align:left;font-size:3.528114663726571vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.53vh;font-family:'Cinzel Bold';"><B>Seniman Berwawasan </B></SPAN></SPAN></DIV><DIV STYLE="line-height:98%;text-align:left;font-size:3.528114663726571vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.53vh;font-family:'Cinzel Bold';"><B>(1935 - 2017)</B></SPAN></SPAN></DIV><DIV STYLE="line-height:93%;text-align:left;font-size:7.276736493936053vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:7.28vh;font-family:'Cinzel Bold';"><B>JINS</B></SPAN></SPAN></DIV><DIV STYLE="line-height:93%;text-align:left;font-size:7.276736493936053vh;"><SPAN STYLE="vertical-align:super;display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:7.28vh;font-family:'Cinzel Bold';"><B>SAMSUDIN</B></SPAN></SPAN></DIV></div>
HTMLText_2AC3BEE0_70E5_3840_41D5_AA3BF870CBFE.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:99%;text-align:left;font-size:3.969128996692392vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.97vh;font-family:'Cinzel Bold';"><B>Pelawak Serba Boleh </B></SPAN></SPAN></DIV><DIV STYLE="line-height:99%;text-align:left;font-size:3.969128996692392vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.97vh;font-family:'Cinzel Bold';"><B>(1918 - 1973)</B></SPAN></SPAN></DIV><DIV STYLE="line-height:99%;text-align:left;font-size:9.04079382579934vh;"><SPAN STYLE="vertical-align:super;display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:9.04vh;font-family:'Cinzel Bold';"><B>A.R TOMPEL</B></SPAN></SPAN></DIV></div>
HTMLText_C0759CF5_E67A_85A7_41E0_1C67B54A688B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.6383682469680263vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.64vh;font-family:'Cinzel Bold';"><B>Dari Komedi Pentas ke Layar Perak</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.6383682469680263vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.64vh;font-family:'Cinzel Bold';"><B>(1925-2014) </B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:9.481808158765158vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:9.48vh;font-family:'Cinzel Bold';"><B>AZIZ SATAR</B></SPAN></SPAN></DIV></div>
HTMLText_2ED51186_71E3_08C1_41AF_3BAB1A91DD11.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:3.7486218302094816vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.75vh;font-family:'Cinzel Bold';"><B>Pengarah Prolifik Di Cathay-Keris</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:3.7486218302094816vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:3.75vh;font-family:'Cinzel Bold';"><B>(1924-2003)</B></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:9.481808158765158vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:9.48vh;font-family:'Cinzel Bold';"><B>M. AMIN</B></SPAN></SPAN></DIV></div>
HTMLText_24F5131D_7063_09C3_41D9_FA9463CF8214.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.5435501653803736vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">Jins Shamsuddin merupakan seorang tokoh yang banyak menyumbang terhadap industri filem tanah air.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Beliau telah membawa industri perfileman tanah air ke tahap yang tinggi.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Dilahirkan di Taiping, Perak pada 5 November 1935, beliau merupakan anak bongsu daripada 4 orang adik-beradik. Pemilik nama sebenar Mohammad Zain @ Jins bin Shamsuddin ini mendapat pendidikan awal di Sekolah Kebangsaan Bendang Siam. Beliau menyambung pelajarannya ke peringkat menengah di Sekolah Menengah King George V,Taiping, Perak. Setelah lulus perperiksaan Senior Cambridge pada tahun 1956, beliau bercadang untuk melanjutkan pelajarannya ke Universiti Malaya Singapura. Naru, hasrat beliau tersebut seringkali tergendala kerana permohonannya sentiasa bertangguh.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Jins Shamsudin mula terdedah dengan dunia seni apabila beliau terlibat dalam pementasan teater berdekatan dengan tempat tinggalnya. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada suatu hari, Jins menggantikan seorang pelakon teater yang kematian ibunya. Sejak dari itu, Jins mula diletakkan sebagai pelakon utama dalam setiap pementasan teater. Pementasan teater tersebut berlangsung sehinggalah ke Singapura. Ketika beliau sedang mengadakan persembahan teater di Dewan Memorial Victoria, Singapura, seorang pegawai perhubungan Shaw Brothers tertarik dengan persembahan beliau lalu menawarkan beliau untuk berlakon dalam filem Keluarga Tolol sebagai penari. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Selepas itu, beliau diberi peranan dalam filem Kaseh Sayang dan watak tambahan dalam filem Anak Ku Sazali. Melalui filem Anak Ku Sazali, Jins mula mendapatkan tunjuk ajar daripada P. Ramlee. Bermula dari situ jugalah beliau mula berlakon bersama P. Ramlee.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_28E27FBA_7025_38C1_4193_E1DB7CAE5213.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.5435501653803736vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">Kalau disebut nama Omar Ali, mungkin ramai yang tidak mengetahui siapakah-yang dimaksudkan tetapi kalau sebut nama Omar Rojik, pasti namanya itu akan mengingatkan kita kepada seorang pengarah prolifik di dalam sejarah perfileman Melayu.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Omar Rojik dilahirkan pada 23 November 1925 di Kulim, Kedah. Ayak beliau Ali Ibrahim-berketurunan Rawa manakala ibunya, Raonah Senapi berketurunan. Acheh. Omar Rejik, mendapat pendidikan awal di Sekolah Melayu Sungai Karok, Alor Setar, Kedah, kemudian menyambung pelajaran di Sekolah St. Michael Kampung Perak, Alor Setar.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pengalaman hidupnya amat luas. bukan sahaja dalam dunia perfileman tetapi turut terlibat dalam pergerakan politik dan pernah membuat kerja-kerja-elektrik di zaman pemerintahan Jepun.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Selepas sekolah, Omar Rojik pernah bekhidmat sebagai mekanik kapal terbang untuk tentera Jepun yang berpangkalan di Kepala Batas, Pulau Pinang. Ketika itulah Omar Rojik telah berkenalan terlebih dahulu dengan Nordin Ahmad yang pada ketika itu turut menjadi tukang masak kepada tentera Jepun. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Omar Rojik telah menjadi pekerja kesayangan kepada beberapa pegawaf tinggi tentera Jepun. Mereka sering mengajar Omar Rojik berbahasa Jepun. Beliau kemudiannya sangat fasih bertutur dan menulis dalam bahasa Jepun selain dikenali dengan sifatnya yang berdisiplin.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada awal tahun 1950, Omar Rojik berhijrah ke Singapura untuk mencari rezeki. Di Singapura, beliau berkenalan dengan R. Azmi dan melalui R.Azmilah Omar Rojik diterima bekerja sebagai buruh kasar di syarikat Malay Film Productions (MFP) di Jalan Ampas. Omar Rojik kemudiannya mula berjinak-jinak dalam bidang lakonan. Peranannya yang dianggap agak besar ialah dalam filem Pembalasan (1950). Kemudian "Omar, Rojik berlakon di dalam beberapa buah filem lagi seperti Rayuan Sukma (1951), Derita (1951), Manusia (1951), Anjoran Nasib (1952), Miskin (1952), Istana Impian (1953), Kerana Kau (1953), Panggilan Pulau (1954), Kipas Hikmat (1955), Insan (1955), Anak-Ku Sazali (1956). Kaseh Sayang (1957) dan Mogok (1957). </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Peranan yang dianggap sangat berkesan dan paling diingat sehingga ke hari ini ialah sebagai pegawai tentera Jepun di dalam filem Sergeant Hassan dan Mata Hari Kedua-dua filem ini telah diterbitkan pada tahun 1958.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Di samping berlakon, Omar Rojik kerap menyumbangkan idea dan cerita asal untuk difilemkan. Antara cerita terbaik yang pernah diilhamkannya ialah Semerah Padi (1956) arahan P. Ramlee. Kebolehannya itu telah membuatkan pihak studio bersetuju untuk melantik beliau sebagai penolong pengarah sebelum dilantik menjadi pengarah filem pada tahun 1960"</SPAN></SPAN></DIV></div>
HTMLText_2ED69187_71E3_08CF_41B4_34E52C486245.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.5435501653803736vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">M. Amin atau nama sebenarnya Mohammad Amin bin Haji Iksan dilahirkan di Kuala Kangsar, Perak pada 1 September 1924.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Beliau merupakan seorang pengarah yang banyak mengarahkan filem-filem Melayu di studio Cathay-Keris Film (CKF).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Penglibatan M. Amin dalam bidang perfileman adalah secara tidak sengaja. Sebelum terjun ke dunia seni, beliau bertugas sebagai guru pelatih selama enam bulan di Sitiawan, Perak semasa zaman pemerintahan Jepun. Selepas tamat Perang Dunia Kedua, beliau berkhidmat sebagai guru undang-undang dalam pasukan polis di Polis Depoh, Kuala Lumpur selama 4 tahun dari tahun 1946 hingga 1950.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Sepanjang bertugas sebagai anggota polis, M. Amin merasakan dirinya tidak sesuai dengan pekerjaan itu. Selepas dibuang kerja akibat melakukan sedikit kesalahan sebagai kakitangan kerajaan ketika itu, M. Amin berhijrah ke Singapura untuk mencari pekerjaan sebagai kelasi kapal.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Ketika berada di Singapura, M. Amin terbaca sebuah iklan di dalam majalah Mutiara berkenaan studio Malay Film Productions (MFP) yang sedang mencari pelakon baharu.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">M. Amin menghantar surat dan gambar untuk memohon menjadi pelakon di MFP. Beliau kemudiannya dipanggil menghadiri sesi uji bakat.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Setelah menjalani sesi uji bakat, M. Amin yang tidak mempunyai apa-apa pengalaman sebagai pelakon itu gagal. Walau bagaimanapun, beliau telah ditawarkan pekerjaan sebagai pelakon tambahan di dalam filem Bakti (1950). Di samping itu juga, M. Amin diberi kerja sebagai kerani, penterjemah skrip-skrip yang ditulis dalam bahasa Inggeris oleh pengarah-pengarah India ke dalam bahasa Melayu dan mengajar pelakon-pelakon yang buta huruf di studio MFP menulis dan membaca di sebelah malam.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Oleh kerana mempunyai raut wajah yang tampan, pengarah S. Ramanathan telah memilih M. Amin sebagai hero filem Kembar (1950). Ini merupakan filem pertama M. Amin diambil berlakon oleh pengarah S. Ramanathan sebagai hero di samping Mariam. Selepas itu, M. Amin berlakon di dalam filem Dewi Murni (1950), Pembalasan (1950), Sejoli (1951), Juwita (1951), Aladdin (1952) dan Antara Senyum Dan Tangis (1952). Walaupun M. Amin sudah banyak berlakon di MFP, beliau kurang diberi peranan yang mencabar. Kecewa dengan studio MFP, M. Amin beralih angin ke Keris Film pada penghujung tahun 1952. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Di Keris Film, beliau telah mendapat peluang berlakon dengan peranan-peranan yang lebih baik berbanding MFP. Kedudukan M. Amin sebagai seorang pelakon semakin teguh apabila Keris Film bergabung dengan Cathay Organization yang membentuk Cathay-Keris Film (CKF). Mutu lakonan beliau juga bertambah baik dari satu filem ke filem yang lain.</SPAN></SPAN></DIV></div>
HTMLText_C3B32E50_E685_84E3_41E9_90E46436E0C2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.5435501653803736vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">P. Ramlee atau nama sebenarnya Teuku Zakaria bin Teuku Nyak Puteh dilahirkan di Jalan Counter Hall, Pulau Pinang pada 22 Mac 1929</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Tetapi, menurut sumber keluarga beliau, P.Ramlee dilahirkan pada pagi 1 Syawal. Jika diteliti, tarikh 22 Mac 1929 itu tidak jatuh pada 1 Syawal. Tetapi, tarikh itu jatuh pada 23 Mac 1928. Tarikh ini juga telah disahkan oleh abang tiri P.Ramlee, iaitu Sheikh Ali.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">P.Ramlee menerima pendidikan awal di Sekolah Melayu Kampung Jawa. Beliau meneruskan pelajarannya di Sekolah Francis Light dan Penang Free School. Bakat besar P. Ramlee di dalam bidang seni suara dikesan oleh seorang pengarah India, BS Rajhans ketika beliau menyaksikan persembahan pentas P.Ramlee di Bukit Mertajam. Dalam persembahan tersebut, P.Ramlee menyanyikan lagu Azizah hasil ciptaan beliau sendiri. Pengarah BS Rajhans yang mewakili Malay Film Productions (MFP) menawarkan pekerjaan kepada beliau sebagai penyanyi latar dan meminta beliau untuk ke Singapura.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Di Singapura, P. Ramlee memulakan bermacam-macam kerja seperti menolak kamera, clapper boy dan penyanyi latar. Pada tahun 1948 P. Ramlee telah diberi peluang untuk berlakon sebagai pelakon pembantu di dalam filem Chinta. Selepas Chinta, P. Ramlee turut terlibat di dalam filem Noor Asmara, Nasib, Nilam dan Rachun Dunia. Pada tahun 1950, beliau diberi peluang untuk menjadi hero menerusi filem Bakti arahan L.Krishnan (kini Tan Sri). Ternyata, percubaan tersebut berjaya dan P. Ramlee diterima baik oleh peminat-peminat filem Melayu pada ketika itu.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pengarah berbangsa India di MFP berlumba-lumba untuk mengambil P. Ramlee berlakon. Malah, ada pengarah seperti B.N Rao dan S. Ramanathan sanggup menangguhkan penggembaraan filem mereka semata-mata menunggu P. Ramlee selesai berlakon di bawah arahan pengarah lain. Pada ketika itu, kemuncak populariti beliau sebagai pelakon, penyanyi dan pencipta lagu sangat sukar ditandingi sehingga pihak syarikat menyifatkan beliau sebagai aset penting studio berkenaan.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Disebabkan prestasi dan populariti P. Ramlee, pihak studio memberi peluang kepada beliau untuk menjadi pengarah dengan mengarahkan filem arahan pertamanya yang berjudul Penarek Becha pada tahun 1955. Penarek Becha bukan sahaja berjaya dari sudut mutunya. Malah, telah mengaut keuntungan besar dengan pencapaian pecah panggung. P. Ramlee terus memperlihatkan kehebatannya dengan mengarahkan filem kedua beliau, iaitu Semerah Padi pada 1956. Banyak pihak berpendapat filem Semerah Padi merupakan mahakarya P. Ramlee. Seorang pengkritik filem lulusan luar negara, Dr. Anuar Nor Arai pernah menyifatkan filem Semerah Padi merupakan filem Melayu yang benar-benar Melayu. Ini kerana, filem-filem Melayu sebelum Semerah Padi adalah filem Melayu yang mempunyai unsur dan budaya dari India.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">P. Ramlee terus cemerlang dengan filem-filem lakonan dan arahannya di MFP sehingga beliau telah dinobatkan sebagai Pelakon Lelaki Terbaik semasa Festival Filem Asia Pasifik ke -4 di Tokyo. Hal ini menjadikan P.Ramlee menjadi pelakon pertama yang berjaya menggondol anugerah tersebut. Kehebatan P. Ramlee makin terserlah apabila menerima Anugerah Bakat Serba Boleh semasa Festival Filem Asia Pasifik ke-10 di Tokyo melalui Filem Ibu Mertua Ku. Anugerah ini tidak pernah lagi dipertandingkan di dalam mana-mana anugerah filem di seluruh dunia hingga ke hari ini. P. Ramlee merupakan satu-satunya tokoh perfieman di dalam dunia yang menerima anugerah tersebut.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada tahun 1964, P.Ramlee telah berhijrah ke Kuala Lumpur atas nasihat pihak Shaw sendiri. Hal ini kerana, pada waktu itu, tekanan pihak kerajaan terhadap industri filem di sana semakin kuat. Oleh itu, pihak Shaw menasihati P. Ramlee untuk berhijrah ke sana demi menyelamatkan kariernya. Filem terakhir yang diarahkan oleh P.Ramlee sebelum beliau berangkat ke Kuala Lumpur ialah 3 Abdul. Beliau hanya sempat menonton itu setelah berpindah ke Kuala Lumpur.</SPAN></SPAN></DIV></div>
HTMLText_C0709CFC_E67A_85A6_41EB_777EF31AA188.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.5435501653803736vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">Pada 8 Ogos 1925, Aziz Sattar atau nama sebenar Abdol Azez bin Satta ini dilahirkan di Pekalongan, Kepulauan Bawaen, Surabaya. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Anak kepada pasangan Satta Sawal dan Satimah Jalal ini kemudiannya membesar di Kampung Pasir Panjang, Singapura. Aziz Sattar mendapat pendidikan awal di Sekolah Melayu Raja, Singapura sehinggalah Perang Dunia Kedua meletus. Antara kawan rapatnya ketika beliau masih kecil ialah seniman Shariff Dol dan Salleh Kamil. Ketika Perang Dunia Kedua, beliau pernah ditangkap oleh pihak tentera Jepun kerana disyaki mencuri beras. Beliau juga pernah dipenjarakan sehinggalah Jepun menyerah kalah pada tanggal 8 Ogos 1945.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Kebolehan beliau untuk berlawak jenaka telah dikurniakan oleh Allah SWT sejak Aziz Sattar muda lagi. Ketika berusia 10 tahun, beliau sudah mula membuat lawak secara spontan. Di samping itu, beliau juga sering menyanyi di majlis-majlis keramaian seperti kenduri kahwin dan sebagainya.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Sebelum memasuki bidang perfileman, Aziz Sattar terlebih dahulu aktif i pertunjukan pentas. Beliau telah dipelawa oleh Shariff Dol bagi menyertai sebuah pancaragam yang diberi nama Suara Hiboran Keronchong Parti yang bertempat di Pasir Panjang, Singapura. Kumpulan pancaragam ini juga disertai oleh seorang pelawak pentas yang sudah terkenal pada ketika itu, iaitu Aziz King Godobell. Aziz King Godobell sangat tertarik dengan keperibadian dan lawak jenaka yang dipersembahkan oleh Aziz Saftar. Selepas itu, beliau sering mempelawa Aziz Sattar untuk mengadakan persembahan bersama di majlis-majlis keraian di seluruh Singapura.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada tahun 1952, Aziz Sattar telah mula bekerja di Malay Film Productions (MFP). Pada peringkat awal, beliau bekerja sebagai juru alih suara. Akan tetapi, padal 1958, beliau dipelawa oleh pengarah B.N. Rao untuk berlakon sebagai watak tambahan di dalam filem Putus Harapan 953). Filem itu jugalah beliau mula berlakon bersama dengan P. Ramlee dalam sebuah filem. Setahun kemudian, beliau mula diberi watak penting di dalam filem Arjuna (1954).</SPAN></SPAN></DIV></div>
HTMLText_2AC32EE1_70E5_3840_4191_1C3DC71E9329.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.5435501653803736vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">Pemilik nama sebenar Aman Ramli Jaafar ini tidak perlulah diperkenalkan lagi.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Keistimewaan beliau yang bersahaja ketika berdialog cukup membuat kita tidak kering gusi.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Karier beliau seorang anak seni bermula jauh lebih awal daripada P.Ramlee. A.R. Tompel bermula dengan menyertai kumpulan bangsawan yang diberi nama Kris Opera sebagai Tap Dancer. Setelah berhijrah ke Singapura pada 1946, beliau sering membuat persembahan di tempat-tempat kesukaan ramai seperti New World dan Happy World. Sekitar hujung 1940-an beliau menyertai studio Malay Film Productions (MFP). Antara filem yang pernah dilakonkan oleh beliau di'MFP ialah Nilam (1949), Rachu Dunia (1950), Dewi Murni (1950), Takdir Illahi (1950), Alola (1950), Berdosa (1951), Bapa Saya (1951) dan Pulau Mutiara (1951). Ketika inilah A.R. Tompel berkenalan serta bersahabat dengan P. Ramlee.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada tahun 1950, beliau telah menyertai Nusantara Film secara diam. Bagi mengelakkan penglibatannya di studio itu, beliau telah menggunakan nama samaran Armaya. Semasa bertugas di Nusantara Film, beliau terlibat dalam beberapa buah filem seperti Perkahwinan Rahsia (1950), Norma (1951), Chinta Murni (1952), Sehati Serasa (1952), Sesal Tak Sudah (1953) dan Seniati (1953).</SPAN></SPAN></DIV></div>
HTMLText_291EB31B_7025_09C0_41DA_742BD7279206.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.5435501653803736vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">Roseyatimah atau nama sebenarnya Rosnah binti Jasni dilahirkan pada 17 November 1943.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Beliau merupakan anak kepada biduan Jasni dengan seniwati Neng Yatimah. Jasni merupakan seorang penyanyi terkenal manakala Neng Yatimah pula seorang bintang filem yang *mendapat gelaran "Bintang Air Mata". Nama Roseyatimah telah diberikan oleh P. Ramlee ketika menampilkan beliau di dalam filem komedi Pendekar Bujang Lapok (1959).</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pertama kali Roseyatimah muncul di layar perak sebagai pelakon kanak-kanak menerusi filem Antara Senyum Dan Tangis (1952). ferbitan Malay Film Productions (MFP). Ketika itu beliau baru berusia 9 tahun. Roseyatimah menceburi dunia lakonan kerana mewarisi darah seni kedua ibu bapanya.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Ketika terpilih untuk membintangi filem Pendekar Bujang Lapok, Roseyatimah baru memasuki usia 15 tahun. Sebelum terpilih, beliau perlu menghadiri sesi uji bakat terlebih dahulu. Antara calon-calon yang bersaing dengan Roseyatimah untuk watak anak Pendekar Mustar itu ialah Ralumah Rahmat dan Siti Hawa Majid. Beliau akhirnya terpilih untuk berlakon di samping Aziz Sáttar, S. Shamsuddin dan P. Ramlee. Filem itu juga memenangi anugerah Filem Komedi Terbaik di Festival Filem Asia Pasifik yang ke-6 (1959) di Kuala Lumpur.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Selepas Pendekar Bujang Lapok, Roseyatimah telah mendapat tawaran berlakon di studio Cathay-Keris Film (CKF) dengan bayaran gaji yang lebih tinggi. Pada tahun 1960, Roseyatimah secara rasminya berhijrah ke CKF dan filem pertama yang dibintangi olehnya di studio itu ialah Pak Pandir Modern (1960) arahan J. Cabin Yoo.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Roseyatimah telah berlakon lebih daripada 20 buah filem-Kebanyakan filem-filem lakonannya diterbitkan oleh studio Cathay-Keris Film. Lakonan Roseyatimah sering mendapat tempat di hati peminat filem Melayu ketika itu. Beliau juga menjadi pilihan pengarah-pengarah seperti S. Roomai Noor, Salleh Ghani, Aussain Haniff, B.N. Rao dan M. Amin untuk membintangi filem-filem arahan mereka.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2A2FA463_70E3_0840_41DD_D6593E66EA98.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.5435501653803736vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">Seniman Ahmad Mahmood yang berasal dari Rembau, Negeri Sembilan dilahirkan pada 3 Januari 1926 (catatan di dalam kad pengenalan beliau). Beliau berhijrah ke Singapura pada awal tahun 1950-an untuk mencuba nasib sebagai pelakon.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada mulanya beliau bekerja sebagai operator telefon di Pengkalan Tentera British: Oleh kerana wajahnya yang tampan, Ahmad Mahmood diberi peluang untuk berlakon di dalam filem Perwira Di-Lautan Teduh terbitan Keris Film-pada tahun 1951. Tetapi sayangnya filem itu tidak dapat ditayangkan sehingga ke hari ini kerana gelungen filem itu dikatakan telah karam di laut. Namun Ahmad Mahmood tidak pernah berputus asa. Beliau mencuba pula nasib di dalam filem Setia (1951) terbitan Rimau Film Productions.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Selepas filem Setia bintangnya mula bersinar. Syarikat Malay Film Productions (MFP) telah menawarkan kontrak selama tiga tahun kepadanya. Kedudukan beliau agak mantap kerana bernaung di bawah syarikat MFP yang sering kali mengeluarkan filem-filem bermutu dan sentiasa-mendapat sambutan hangat daripada peminat filem Melayu pada masa itu. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Filem pertama beliau di MFP adalah Istana Impian (1953) arahan pengarah V. Girimaji. Bakat lakonan beliau benar-benar menyerlah melalui filem keduanya iaitu Ayer Mata (1953) di mana beliau berpasangan dengan seniwati Rosnani Jamil: Selepas filem itu Ahmad Mahmood-muncul sebagai bintang box office di MFP selain P. Ramlee-dengan filem Iman (1954) berpasangan dengan Saadiah dan Haji Mahadi. Filem bercorak fantasi itu mendapat sambutan luar, biasa dari orang ramai sekaligus melayakkan filem itu bertanding di Festival Filem Asia Pasifik yang pertama di Tekyo pada tahun 1954.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Ahmad Mahmood tidak menoleh ke belakang lagi. Beliau terus meniti kejayaan dari sebuah filem ke sebuah filem. Filem lakonannya sentiasa mendapat sambutan hangat dari peminat filem Melayu pada ketika itu. Beliau menjadi idola daripada segenap lapisan penonton-tua dan muda. Ikoniknya bagi pelakon yang bernama Ahruad Mahmood, tersimpan bakat menyanyi yang beliau perdengarkan di dalam filem Isi Neraka (1960) arahan Jamil Sulong melalui lagu Tanda Kasih berpadu suara bersama seniwati Rahmah Rahmat...</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pembabitannya dengan studio MFP. hingga ke akhir hayat studio itu. Ahmad Mahmood-telah berpeluang membintangi filem terakhir keluaran studio itu yang modalnya di keluarkan oleh Tunku Abdul Rafuman Putra Al-Haj berjudul Raja Bersiong (1968). Ahmad Mahmood berhijrah ke Kuala Lumpur pada penghujung tahun 1967.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Beliau juga turut mencuba mengeluarkan filem arahannya sendiri bertajuk Antara Dua Nesan. Ahmad Mahmood, sempat berlakon dalam tiga buah filem keluaran Studio Merdeka, Kuala Lumpur. Filem tersebut ialah Teratai (1967), Tunggal (1969) dan Lanang Sejagat (1969).</SPAN></SPAN></DIV></div>
HTMLText_97B242FB_848E_D119_41D5_4C94EE63E08A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.5435501653803736vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">Seniman Mustapha Ma'arof atau nama sebenarnya Mustafa Azahari bin Maarof dilahirkan di Kuala Lumpur pada 1 Januari 1935.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Beliau merupakan anak kedua kepada pasangan Ma'arof Haji Zakaria dan Maznah Mohd Ali. Ibu dan bapanya berasal dari Negeri Sembilan. Mustapha Ma'arof mempunyai seorang kakak bernama Maimunah dan adik perempuan yang bernama Rahmah. Bapanya merupakan seorang peguam yang mendapat Ijazah Sarjana Muda Undang-Undang daripada sebuah universiti di United Kingdom dan juga pengasas bank Bank Kebangsaan Melayu (Malay National Bank), Ibunya pula seorang suri rumah yang menumpahkan kasih sayangnya kepada keluarga.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Mustapha Ma'arof mendapat pendidikan awal di Seremban, Negeri Sembilan. Beliau kemudiannya melanjutkan pelajaran di Malay College Kuala Kangsar (MCKK), Perak. Selepas kematian ayahnya pada tahun 1947, beliau terpaksa berhenti daripada sekolah. Beliau pulang ke kampung datuknya di Mambau, Negeri Sembilan dan menyambung pelajarannya di Sekolah King George V, Seremban. Walau bagaimanapun, beliau tidak menghabiskan pelajarannya di peringkat Senior Cambridge kerana fikirannya sering terganggu akan perihal kematian ayahnya dan perkara itu menghakis minatnya untuk belajar. Untuk menghilangkan gangguan perasaan itu, Mustapha Ma'arof sering menonton wayang di pekan Seremban..</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Kekerapan Mustapha Maarof menonton wayang di zaman remajanya memberikan kesan yang cukup mendalam terhadap jiwanya. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Beliau kerap menonton filem-filem Melayu, India, Hong Kong dan Hollywood. Boleh dikatakan hampir setiap minggu beliau akan mengisi masa lapangnya dengan menonton wayang. Selain itu juga, Mustapha Ma'arof akan membeli majalah berkaitan filem Melayu untuk mengikuti perkembangannya. Dari situ juga beliau sudah mula menanam minat untuk menjadi anak wayang. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Beliau sering berangan-angan untuk menjadi pelakon seperti S. Roomai Noor, P. Ramlee dan M. Amin.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada suatu ketika, Mustapha Ma'arof pernah memohon untuk direkrut sebagai askar di Port Dickson. Permohonah itu diterima namun beliau hanya bertahan selama seminggu sahaja di kem tentera setelah merasakan dirinya tidak sesuai dengan ketenteraan.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Ketika berusia 17 tahun, Mustapha Ma'arof mengambil keputusan berhijrah ke Singapura untuk mencuba nasib dalam bidang lakonan. Sebelum berangkat ke sana, beliau telah dipesan oleh seorang guru al-Quran yang bernama Haji Mat Noh untuk mencari Haji Mahadi di Singapura. Haji Mat Noh merupakan adik kepada seniman Haji Mahadi yang bekerja di studio Malay Film Productions (MFP) yang terletak di Jalan Ampas. Pada bulan Disember 1952, Mustapha Maarof tiba di Singapura dan bertemu dengan Haji Mahadi di sana. Haji Mahadi menasihatkan agar Mustapha Ma'arof mencuba nasib di Keris Film kerana studio baru sahaja memulakan operasinya. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Ketika itu persaingan di MFP sangat kuat dan sudah ramai pelakon yang berkaliber. Mustapha Ma'arof kemudiannya diterima bekerja di Keris Film sebagai continuity clerk, jurutaip dan pelakon tambahan dengan gaji permulaan $110. Filem pertama lakonan Mustapha Ma'arof ialah Bunga Perchintaan (1953) yang turut dilakonkan oleh Mislia.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Nama Mustapha Ma'arof mula mendapat perhatian pengarah-pengarah berketurunan India yang berkhidmat di studio Keris Film pada waktu itu. Mustapha Ma'arof memperbaiki gaya lakonannya dari satu filem ke satu filem yang lain sehingga menjadi salah seorang pelakon penting di Keris Filem yang kemudiannya bergabung dengan Cathay Organization dan dikenali sebagai Cathay-Keris Film (CKF).</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Setelah berlakon dalam beberapa buah filem di CKF, Mustapha Ma'arof ditawarkan untuk berlakon dengan Shaw Brothers menerusi filem Hang Tuah pada tahun 1956. Itulah satu-satunya filem yang beliau berlakon bersama P. Ramlee. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Selepas itu, Mustapha Ma'arof kembali berlakon di CKF sehingga tahun 1961 dengan gaji bulanan sebanyak $450 hingga $600 untuk sebuah filem. Ketika inilah nama Mustapha Ma'arof benar-benar berada di kemuncak. Berita mengenai aktiviti lakonan beliau sering disiarkan dalam majalah-majalah hiburan tempatan selain akhbar berbahasa Melayu dan Inggeris. Selain daripada berlakon di hadapan kamera, Mustapha Ma'arof juga pernah dilantik sebagai penolong pengarah untuk beberapa buah filem di CKF seperti Satay (1958) dan Yatim Mustapha (1961).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Ketika menjalani penggambaran filem Sultan Mahmood Mangkat Di-Julang (1961), Mustapha Ma'arof telah mendapat tawaran untuk berlakon di Merdeka Film Studio (MFS) yang baru sahaja ditubuhkan oleh Ho Ah Loke di Kuala Lumpur. Beliau menerima baik tawaran itu tetapi harus menyelesaikan terlebih dahulu babak-babak yang membabitkan dirinya dalam filem itu.</SPAN></SPAN></DIV></div>
HTMLText_9639370D_8487_D0FE_41B3_B4F384800B6F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.5435501653803747vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">"Kajang Pak Malau kajang berlipat,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.5435501653803747vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">Kajang saya mengkuang layu,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.5435501653803747vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">Dagang Pak Malau dagang bertempat,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.5435501653803747vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#996633;font-size:1.54vh;font-family:'LEMON MILK';">Dagang saya musafir lalu.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Itulah bait-bait dialog keramat yang dilafazkan oleh Nordin Ahmad di dalam filem Sri Mersing arahan Salleh Ghani pada tahun 1961. Dialog ini seakan-akan menjadi satu trademark kepada beliau apabila merujuk kepada perkembangan penglibatannya di dalam sejarah filem Melayu.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Nordin Ahmad merupakan hero filem Melayu terulung. Beliau dilahirkan di Kampung Kota, Permatang Pasir, Seberang Perai, Pulau Pinang pada 4 Ogos 1929. Nordin Ahmad merupakan anak ke dua dalam enam adik-beradik dari pasangan Ahmad bin Sahak dan Che binti Md. Hashim. Bapanya bekerja sebagai kerani di Jabatan Kerja Raya, Pulau Pinang manakala ibunya menjalankan kerja-kerja di kampung. •</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Penglibatan beliau bermula ketika bekerja sebagai kerani di pangkalan Tentera Udara Diraja British, Singapura pada tahun 1951. Sebelum itu beliau juga pernah berkhidmat sebagai anggota Bomba di Republik berkenaan. Pada peringkat awalnya beliau tidak pernah menyimpan hasrat untuk menjadi bintang filem sehingga beliau terbaca satu iklan di dalam akhbar Utusan Melayu dimana syarikat Malay Film Productions (MFP) milik Shaw Brothers sedang mencari bakat baharu sebagai pelakon. Atas dorongan rakan-rakan beliau menerima jemputan uji bakat syarikat filem berkenaan.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Kali pertama Nordin Ahmad menjalani uji bakat, beliau didapati gagal apabila pengarah S. Ramanathan yang mengadili sesi uji bakat tersebut mengatakan bahawa Nordin Ahmad tidak boleh berlakon dan berdialog dengan baik. Disebabkan dengan kegagalan tersebut beliau hanya diberi watak sampingan sahaja di dalam filem Juwita (1951) sebagai anggota Polis.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada tahun 1952, Nordin Ahmad diberi peluang menjadi hero melalui filem Pergiata Di-Perlimbahan bergandingan dengan Maria Menado (Dato' Seri). Filem pertama arahan Haji Mahadi itu telah gagal mendapat kutipan box office apabila ditayangkan. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Hal ini membuatkan Nordin Ahmad kembali menjadi pelakon pembantu. Perkara itu tidak pernah melunturkan semangatnya untuk terus berjuang di dalam bidang lakonan malahan beliau terus berusaha memperbaiki mutu lakonannya dalam menempatkan dirinya sebaris dengan hero-hero lain yang berada di MFP ketika itu.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Peluang yang dinantikan oleh Nordin Ahmad akhirnya muncul pada tahun 1956 apabila P. Ramlee menawarkan watak utama kepadanya di dalam filem Semerah Padi. Filem Semerah Padi merupakan filem kedua arahan P. Ramlee setelah menduduki bangku pengarah. Nordin Ahmad telah mengejutkan industri filem Melayu pada ketika itu dengan lakonannya sebagai Taruna yang sangat bermutu tinggi. Ramai peminat dan pengkritik filem pada ketika itu memberikan pujian terhadap lakonan Nordin Ahmad di dalam filem tersebut. Nama Nordin Ahmad juga dengan sekelip mata melonjak ke tahap tertinggi sebaris dengan pelakon-pelakon utama seperti P. Ramlee, Ahmad Mahmood dan lain-lain.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Di sebabkan kejayaan melalui Semerah Padi, Nordin Ahmad telah dilamar oleh syarikat Cathay-Keris Film pada penghujung tahun 1957. Pada 31 Disember 1957 Nordin Ahmad secara rasminya menamatkan kontraknya sebagai pelakon di MFP dan berhijrah ke Cathay-Keris selepas selesai penggambaran filem Belantara (1957). Filem pertama Nordin Ahmad di Cathay-Keris adalah Orang Minyak (1958). Penghijrahan ke Cathay-Keris lebih menggalakkan Nordin Ahmad mempersembahkan mutu lakonan yang terbaik bagi membuktikan Cathay-Keris adalah destinasi terbaik untuk Kebaikan kerjaya lakonannya.</SPAN></SPAN></DIV></div>
HTMLText_2A2FE463_70E3_0840_41C2_DEE6FFAFFEF3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Ahmad Mahmood pernah mengejutkan industri seni tanah air pada tahun 1980-an apabila beliau menolak jemputan untuk menjadi salah seorang panelis dalam satu program anjuran sebuah stesen TV bagi mengenang Allahyarham Tan Sri P. Ramlee. Ahmad Mahmood beranggapan beliau tidak mahu menipu masyarakat dengan memberi kenyataan yang bersifat hipokrit tentang P. Ramlee yang beliau kenali. Ahmad Mahmood sememangnya mempunyai hubungan yang agak dingin dengan P.Ramlee, tetapi itu lebih bersifat peribadi kerana beliau turut mengakui akan kemampuan bakat seni P. Ramlee yang serba boleh.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Ahmad Mahmood mencuba untuk menduduki bangku pengarahan dengan mengarahkan beberapa buah filem antaranya" Mama Oh Mama (1982), Dendam Dari Pusara (1983), Komplot (1984) dan May 13 (1984). Tetapi kerjaya Ahmad Mahmood di dalam bidang pengarahan tidaklah sehebat jikalau dibandingkan dengan kerjaya fieliau sebagai pelaken. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Sepanjang penglibatannya di dalam bidang seni Ahmad Mahmood pernah menerima penganugerahan pingat Ahli Mangku Negara pada tahun 1987 dan dan Pingat Datuk Setia Diraja dari Yang Dipertuan Besar Negeri Sembilan, yang membawa gelaran Datuk pada tahun 2005.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Ahmad Mahmood telah mendirikan rumahtangga dengan Khatijah Mohamad dan dikurniakan. 3 orang cahaya mata. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Ahmad Mahmood meninggal dunia pada 27 Ogos 2008 akibat penyakit kencing manis dan komplikasi buah pinggang. Seniman Ahmad Mahmood boleh disifatkan sebagai seorang hero yang berkarisma besar di dalam lipatan sejarah filem Melayu.</SPAN></SPAN></DIV></div>
HTMLText_2ED65188_71E3_08C1_41D6_71A008B3B98C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Antara filem filem lakonan M. Amin di CKF ialah Buloh Perindu (1953), Nafsu (1954), Terang Bulan di-Malaya (1954), Tangisan Ibu (1954), Pertarohan (1954), Irama Kaseh (1955), Mutiara Dari Malaya (1955), Selamat Hari Raya (1955), Selamat Tinggal Kekasehku (1955), Adam (1956), Azan (1956), Dondang Sayang (1956), Pontianak (1957), Virgin Of Borneo / Chinta Gadis Rimba (1958), Orang Minyak (1958), Selendang Delima (1958), Serangan Orang Minyak (1958), Orang Lichin (1958), Raden Mas (1959), Rasa Sayang -Eh (1959), Pak Pandir Modern (1960), Che Mamat Parang Tumpol (1960), Sultan Mahmood Mangkat Di-Julang (1961), Hang Jebat (1961), Siti Zubaidah (1961) dan Dang Anom (1962). ⚫</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada tahun 1962, M. Amin telah diberi peluang untuk menjadi seorang pengarah filem. Filem arahannya yang pertama ialah Lanchang Kuning (1962) telah mendapat kejayaan box-office, begitu juga dengan filemnya yang kedua iaitu Chuchu Datok Merah (1963). Beliau tidak menoleh ke belakang lagi dan mengarahkan lebih 20 buah filem lagi dari tahun 1963 hingga 1972.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Apabila CKF ditutup pada tahun 1972, M. Amin pindah ke Kuala Lumpur dan berkhidmat pula dengan Merdeka Film Studio (MFS). Walau bagaimanapun, beliau hanya mengarahkan 3 buah filem sahaja iaitu Penyamun Si Bongkok (1974), Satu Penentuan (1974) dan Pertiwi (1974). Selain itu, M. Amin sempat juga berlakon di dalam sebuah filem di bawah arahan Nas Achnas iaitu Rahsia Hatiku (1975). M. Amin juga pernah berkhidmat dengan Gaya Film dan Solid Gold dengan mengarahkan beberapa drama televisyen dan filem dokumentari.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">M. Amin kemudiannya berkhidmat di Sabah Film Production. Di sana, beliau sempat mengarahkan 7 buah filem iaitu Hapuslah Air Matamu (1976), Pendekar (1977), Kisah Seorang Biduan (1980), Sumpah Semerah Padi (1981), Bertunang (1982), Manis-Manis Sayang (1983) dan Di Ambang Kasih (1984). Selain itu, M. Amin juga turut terlibat dengan filem Johnny Bikin Filem (1993), Badai Mentera (1998), Silat Legenda (1998) dan yang terakhir Paloh (2003).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Di tahun-tahun akhirnya sebagai seorang seniman, M.Amin berkata, "Saya ni umpama Quran buruk, orang sudah tidak ingat saya lagi". M. Amin menghembuskan nafasnya yang terakhir pada 8 Januari 2003. Beliau telah dikebumikan di Tanah Perkuburan Islam Taman Ibukota, Kuala Lumpur.</SPAN></SPAN></DIV></div>
HTMLText_C0712CFE_E67A_85A2_41DA_E0A8275E1DB9.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Aziz Sattar menyokong penuh keputusan pihak studio melantik P. Ramlee sebagai pengarah pada tahun 1955. Walau bagaimanapun, beliau agak berkecil hati kerana P. Ramlee tidak pernah mempelawanya berlakon di bawah arahannya. Beliau pernah bertanya sendiri mengapa P. Ramlee tidak menawarkan beliau berlakon bersamanya. Tetapi P. Ramlee hanya diam sahaja sehinggalah pada suatu hari, P. Ramlee menawarkan beliau untuk berlakon di dalam Bujang Lapok (1957) bersama-sama pelawak S. Shamsuddin.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Dari situlah Aziz Sattar sedar bahawa P. Ramlee hanya akan mempelawa seseorang itu berlakon jika sesebuah watak itu sesuai dengan pelakon tersebut. Aziz Sattar telah berlakon bersama P. Ramlee di dalam filem seperti Bujang Lapok (1957). Pendekar Bujang Lapok (1958), Nujum Pa' Blalang (1959), Ali Baba_Bujang Lapok (1961). Seniman Bujang Lapok (1961), Labu dan Labi (1962) dan yang terakhir Nasib Si Labu Labi (1963). Aziz Sattar juga mengakui bahawa orang yang paling banyak mengajarnya dalam selok-belok dang lakonan ialah P. Ramlee⚫ sendiri. Setelah P.Ramlee berpindah ke Kuala Lumpur, beliau masih lagi berlakon di MFP sehinggalah studio itu menghentikan operasi buat selama-lamanya pada 1967.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Selepas penutupan studio MFP, Aziz Sattar mula menyepikan diri daripada industri filem tanah air. Beliau lebih banyak membuat persembahan pentas di sekitar Singapura dan Malaysia. Pada 1975, Aziz Sattar kembali semula ke dunia perfileman di bawah syarikat Sabah Film Production milik Deddy M. Borhan. Filem pertama yang diarahkannya ialah Keluarga Comat (1975). Beliau juga pernah menghidupkan semula trio Bujang Lapok yang terkubur sejak 1961 menerusi filem Bujang Lapok Kembali Daa... (1985) yang menampilkan S. Shamsuddin, Nasir P. Ramlee dan dirinya sendiri. Sepanjang penglibatan Aziz Sattar dalam dunia seni, beliau telah mengarahkan banyak filem termasuklah Si Badol (1978), Setinggan (1981), Penyamun Tarbus (1981) yang memenangi Anugerah Filem Komedi Terbaik semasa Festival Filem Malaysia ke-2 pada tahun 1981 dan Darah Satria (1983). Bagi menghargai jasa dan sumbangan beliau di dalam industri filem tanah air, beliau telah dikurniakan Ahli Mangku Negara (AMN) pada 1990, Anugerah Seniman Veteran semasa Festival Filem Malaysia 1994 dan Darjah Panglima Jasa Negara (PJSN) yang membawa gelaran Datuk pada 2007. Sesungguhnya apa yang dilakukan oleh beliau tidak mampu ditandingi oleh mana-mana pelakon hinggalah ke hari ini.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Aziz Sattar terus mengarahkan filem sehinggalah filem terakhir beliau yang bertindak sebagai pengarah iaitu filem Simfoni Duniaku pada tahun 1994. Aziz Sattar tetap aktif berlakon sehingga tahun 2014. Insan serba boleh ini kembali kepada Pencipta-Nya pada 6 Mei 2014 kerana serangan jantung.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_C3B33E55_E685_84E6_41DB_CE6BAF5F7BD5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Di Studio Merdeka, peralatan di sana tidaklah sebaik di Singapura. Kebanyakan peralatan juga merupakan lebihan yang tidak digunakan lagi. Walau bagaimanapun, itu tidak menghalang untuk P. Ramlee mengarahkan filem Si Tora Harimau Jadian pada tahun 1964.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">P. Ramlee juga pernah bercita-cita untuk menghidupkan semula trilogi Bujang Lapok. Namun, keinginan beliau sukar untuk menjad kenyataan disebabkan faktor lokasi dan kos. Sebaliknya, beliau mencipta trio baru bersama A.R Tompel dan Ibrahim Din dan diberi nama Do Re Mi. Menjelang akhir tahun 1960-an, karier P. Ramlee mula jatuh selepas beliau menerbitkan filem 6 Jahanam. Para wartawan menyifatkan filem tersebut gagal dan menjadikan kegagalan tersebut untuk menghentam P. Ramlee. Lantas, P. Ramlee terus menjauhkan diri daripada pihak wartawan. Filem terakhir yang diarahkan oleh beliau adalah Laxmana Do Re Mi pada 1972. Filem ini telah tercalon di dalam Festival Filem Asia Pasifik ke-19 di Singapura dan beliau telah menjadi salah seorang delegasi bagi mewakili mewakili Malaysia.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Sepanjang 25 tahun penglibatan beliau sebagai anak seni, P. Ramlee telah berlakon sebanyak 66 buah filem, mengarah sebanyak 34 filem dan mencipta sebanyak 360 buah lagu bersama beberapa orang penulis lirik seperti S. Sudarmadji, Jamil Sulong, H.M Rohaizad, Ahmad Nawab, Ainul Jamal dan A.R Tompel. P. Ramlee juga berkesempatan untuk belajar susunan muzik bersama Zubir Said, Yusof B, Ahmad Jaafar, Osman Ahmad, L.B Ventura dan Fred Libio.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada waktu subuh 22 Mei 1973, P. Ramlee telah menghembuskan nafas yang terakhir di rumahnya di Setapak dan dikebumikan di Tanah Perkuburan Islam Jalan Ampang. Jutaan manusia menangisi pemergian beliau dan beliau masih tiada galang gantinya hingga ke hari ini.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_24F5531D_7063_09C3_41CD_1B8F1E662751.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Karier Jins mula meniti apabila P.Ramlee mengambil beliau berlakon sebagai hero di samping Hashimah Yon di dalam filem Panca Delima. Mulai saat itu, beliau sering diletakkan sebagai hero di dalam filem-filem melayu seperti Matahari, Azimat, Anak Pontianak dan banyak lagi. Beliau juga berlakon bersama P. Ramlee buat kali terakhir di Singapura melalui filem Sergeant Hassan sebelum mereka berlakon bersama kembali di Merdeka Film Studio, Kuala Lumpur. Karier beliau mula memuncak pada dekad 1960-an di mana setiap filem dilakonkannya mesti sebagai seorang hero, Ini membuatkan beliau sebaris dengan hero Melayu pada ketika in seperti P. Ramlee, Aziz Jaafar dan Ahmad Mahmood. Jins Shamsudin juga berlakon sebagai perisik Melayu melalui filem Gerak Kilat, Bayangan Ajal dan Jurang Bahaya. "</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Setelah studio Malay Film Productions ditutup pada penghujung 1967, beliau berhijrah ke Merdeka Film Studio, Kuala Lumpur. Di Kuala Lumpur, beliau telah dilantik menjadi seorang pengarah melalui filem Bukan Salah Ibu Mengandung pada tahun 1969. Untuk menghargai P. Ramlee yang menjadi mentornya, beliau telah mengundang P. Ramlee untuk berlakon di dalam filem tersebut. Beliau juga sempat berlakon beberapa filem di bersama P. Ramlee seperti Kachan Tirana dan Di Belakang Tabir yang juga menjadi filem arahannya yang kedua. Tidak lama, selepas itu, beliau mendapat tawaran menyambung pengajian ke London Film School melalui biasiswa MARA. Jins Shamsudin berangkat ke London pada tahun 1970 dan berjanji akan meningkatkan mutu perfileman Melayu sekembalinya ke tanah air kelak.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Sekembalinya beliau dari London pada 1972, beliau bergiat bersama Perusahaan Filem Malaysia (PERFIMA) yang diwujudkan oleh P. Ramlee, H.M. Shah, Jaafar Abdullah dan Salleh Ghani untuk menerbit, mengedar dan menayangkan filem. Beliau kemudiannya membuka studio miliknya sendiri iaitu Studio Pancha Delima dan Jins Shamsudin Productions. Filem pertama arahannya pada ketika itu ialah Menanti Hari Esok yang ditayangkan pada tahun 1976. Filem itu juga merupakan permulaan kepada siri filem "Esok" seperti Tiada Esok Bagimu (1978), Esok Masih Ada (1979) dan Esok Untuk Siapa (1982). Pada tahun 1980 pula, Jins Shamsudin mengarahkan filem Bukit Kepong yang kemudiannya memenangi tujuh anugerah di Festival Filem Malaysia ke-3 pada tahun 1982.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Jins Shamsudin juga antara figura penting di dalam arena politik tanah air. Penglibatan beliau di dalam politik bermula apabila beliau dilantik sebagai Ahli Jawatankuasa Penaja UMNO Coronation Road, Singapura pada 1959. Beliau kemudiannya dilantik menjadi Presiden Persatuan Artis Malaya (PERSAMA) pada tahun 1962 sehingga 1967. PERSAMA adalah sebuah kesatuan sekerja yang membela nasib para artis di era 1950-an dan 1960-an. Kemuncak penglibatannya dalam bidang politik adalah beliau juga dilantik sebagai Senator pada tahun 2004. Hal ini memberi penghormatan terhadap penggiat industri perfileman kerana perlantikan itu merupakan lantikan pertama dari kalangan anak seni yang sebagai Senator.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Di dalam bidang pendidikan juga, beliau tidak kurang hebatnya. Pada tahun 1999, beliau diijazahkan Anugerah Kehormat Persuratan, Universiti Sains Malaysia. Beliau turut menghasilkan sebuah tesis pada 2004. Pada 2010, beliau menerima Ijazah Doktor Falasafah (PhD) daripada Universiti Utara Malaysia. Beliau merupakan seniman pertama yang mendapat ijazah sedemikian.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Bagi menghargai sumbangan Jins Shamsudin di dalam industri perfileman tanah air, beliau telah dikurniakan Pingat Darjah Datuk Paduka Negeri Perak pada 1990 yang membawa gelaran "Datuk", Panglima Jasa Negara, Anugerah Jasa Panglima Negara, Anugerah Seniman Veteran Berita Harian dan Anugerah Panglima Setia Mahkota yang membawa gelaran "Tan Sri" pada 2007.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Jins Shamsuddin meninggalkan pada 1 Mac 2017 dan dikebumikan di Tanah Perkuburan Islam Al-Ridhuan, Hulu Kelang. Sumbangan dan legasi yang ditinggalkan oleh beliau amatlah bernilai dan tidak mampu dicapai sehinggalah ke hari ini.</SPAN></SPAN></DIV></div>
HTMLText_28E20FBC_7025_38C1_41D8_C577BA9F014D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Omar Rojik banyak menimba pengalaman dan teknik pengarahan filem melalui P. Ramlee dan Jamil Sulong. Omar Rojik adalah anak Melayu keempat yang berjaya menduduki kerusi pengarah selepas Haji Mahadi, P. Ramlee dan Jamil Sulong di MFP: Filem pertama arahan Omar Rojik adalah Sumpah Wanita (1960) di mana idea asal filem itu datangnya dari P.Ramlee.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Antara filem-filem lain arahan Omar-Rojik selepas itu seperti Pertarongan (1960), Panji Semerang (1961)." Singapura Di-Langgar Todak (1962), Batu Durhaka (1962), Kaseh Tanpa Sayang (1963), Pileh Menantu (1963). Jeritan Batin (1963), Siapa Besar! (1964), Sayang Si-Buta (1965), Taqdir (1965), Dahaga (1966), Aksi Kucing (1966) dan A Go Go 67 (1967). Setelah syarikat MFP ditutup, berhijrah ke Merdeka Film Studio di Kuala Lumpur dan telah mengarahkan filem-filem seperti Miang Miang Keladi (1968), Teratai (1968), Lanang Sejagat (1969), Keranda Jingga (1969). Tuah Badan (1970), Kalau Berpaut Di Dahan Rapoh (1971), Durjana (1971), Satria (1972), Angkara (1972), Anakku Suamiku (1972). Semerah Cindai (1972), Ganjaran (1973), Semamibu Kuning (1973).. Puaka (1974), Anak Setan (1974) dan Si Buta (1975).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Sepanjang penglibatannya di dalam bidang perfileman, Omar Rojik telah diberi Anugerah Karyawan Filem Veteran di Festival Filem Malaysia (FFM) ke-11 pada tahun 1994, Omar Rojik meninggal dunia pada 4 April 1997 ketika berusia" 2 tahun akibat sakit kejang otot. Beliau meninggalkan seorang balu, pelakon veteran Norsiati dari lima orang anak.</SPAN></SPAN></DIV></div>
HTMLText_97B202FB_848E_D119_41DC_CEBCE70422EC.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Selepas tamat penggambaran filem itu, Mustapha Ma'arof berhijrah ke MFS di Kuala Lumpur bersama-sama Abdullah Chik, Salmah Ahmad dan pengarah L. Krishnan. Ketika berkhidmat di MFS, Mustapha Ma'arof telah membintangi sebanyak 10 buah filem dari tahun 1961 hingga 1963. Pada tahun yang berikutnya, beliau kembali ke CKF di Singapura setelah kontraknya bersama MFS tamat. Individu pertama yang menggunakan khidmat lakonan Mustapha Ma'arof setelah kembali ke CKF ialah Nordin Ahmad yang ketika itu baru diangkat menjadi pengarah dan sedang menyelenggarakan filemnya yang kedua.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Filem kedua arahan Nordin Ahmad iaitu Kaseh Ibu menampilkan Mustapha Ma'arof, Latifah Omar, Bat Latiff dan Ahmad Osman sebagai pelakon utamanya dan ditayangkan pada tahun 1965. Beliau kemudiannya tampil di dalam enam lagi filem di CKF sebelum membuat keputusan untuk pulang ke Kuala Lumpur pada tahun 1973.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Kehidupan baharu Mustapha Maarof di Kuala Lumpur bermula di syarikat sebuah syarikat penerbitan iklan, Gaya Film yang dimiliki oleh L. Krishnan. Beliau bekerja dengan syarikat tersebut selama beberapa tahun sebelum menubuhkan syarikat Warna Motion Pictures pada tahun 1981 yang menerbitkan iklan, dokumentari dan drama televisyen. Di samping itu, Mustapha Ma'arof turut aktif berlakon di dalam filem dan drama televisyen sehingga tahun 2009.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Selain daripada menjalani aktiviti seni, Mustapha Ma'arof juga aktif di dalam beberapa persatuan perfileman. Beliau pernah menerajui Persatuan Seniman Malaysia (SENIMAN), Gabungan Persatuan Karyawan Filem Malaysia (GAFIM) dan menganggotai beberapa persatuan lain. Pendekatan yang dibawa oleh Mustapha Ma'arof ialah menjaga kebajikan para penggiat seni serta kelangsungan atau survival filem-filem Melayu.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Mustapha Maarof pernah berkahwin sebanyak 4 kali sepanjang riwayatnya. Perkahwinan pertamanya dengan seorang gadis penari joget yang berasal dari Pasir Mas, Kelantan yang bernama Zainab Sulong. Perkahwinan keduanya dengan anak kepada pelakon dan pelawak Aman Belon yang bernama Zulaikha dan mereka dikurniakan seorang anak perempuan bernama Normah. Perkahwinan kali ketiganya dengan seniwati Suraya Harun dan mereka dikurniakan seorang anak perempuan bernama Suzlynna. Mustapha Ma'arof kemudiannya berkahwin dengan seniwati Roseyatimah dan dikurniakan tiga orang anak: Azlynna, Mohd Khairudden dan Mohd Rezainudden. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Untuk menghargai penglibatan beliau sepanjang bergelar anak seni, Mustapha Maarof telah menerima Anugerah Pelakon Veteran di Festival Filem Malaysia Ke-10 pada tahun 1992. Pada tahun itu juga beliau telah dianugerahkan pingat Ahli Mangku Negara (AMN) oleh KDYMM Yang di-Pertuan Agong. Tuanku Azlan Muhibbudin Shah. Pada tahun 2003, Mustapha Ma'arof telah dikurniakan gelaran Dato' Paduka Tuanku Ja'afar (DPTJ) yang membawa gelaran Dato' oleh DYMM Tuanku Ja'afar, Yang di-Pertuan Besar Negeri Sembilan. Pada tahun 2010, beliau telah menerima Anugerah Tokoh Legenda SENIMAN dan Anugerah Tokoh Perfileman FINAS. Pada tahun 2011, Mustapha Ma'arof menerima Anugerah Gemilang Seri Temasek bersama-sama Jins Shamsuddin (Tan Sri Dr.) dan Aziz Sattar (Datuk).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Seniman yang budiman ini meninggal dunia pada 15 Disember 2014 di Hospital Angkatan Tentera Tuanku Mizan, Wangsa Maju, Kuala Lumpur pada usia 79 tahun akibat penyakit paru-paru. Jenazah beliau kemudiannya dikebumikan bersebelahan dengan pusara Allahyarham isterinya, Roseyatimah di Tanah Perkuburan Islam Jalan Ampang, Kuala Lumpur.</SPAN></SPAN></DIV></div>
HTMLText_291EE31C_7025_09C0_41CC_7A6CCA0ED694.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Sepanjang bergiat aktif dalam bidang, lakonan, Roseyatimah tidak pernah memilih, watak dan beliau berpendapat bahawa sesebuah watak itu bukanlah perkara yang penting. Apa yang penting ialah bagaimana untuk menghidupkan sesebuah watak itu.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Roseyatimah mengakhiri karier lakonan beliau selepas berlakon di dalam filem Anak Bapak (1968) arahan P. Ramlee di Merdeka Filem "Studio (MFS). Filem itu turut dibintangi oleh P. Ramlee, A.R. Tompel, Ruminah Sidek dan Ibrahim Din. Jika P. Ramlee memperkenalkan Roseyatimah ke layar perak, maka di tangan P.Ramlee jugalah Roseyatimah mengakhiri kerjaya lakonan beliau.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Selepas berundur diri dari dunia-perfileman, Roseyatimah menumpukan sepenuh masa terhadap kehidupan peribadi beliau setelah berkahwin dengan seniman Mustapha Ma'arof. Pasangan merpati dua sejoli ini telah dikurniakan tiga orang anak iaitu Azlyna Mustapha, Mohamad Rezainuddin-Mustapha dan Mohamad Khairuddin.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada tarikh 14 Disember 1987, dunia perfileman tanah air telah Kehilangan sebutir bintang yang pernah menyinarinya. Roseyatimah telah menghembuskan nafas yang terakhir di rumahnya di Subang Jaya, Selangor setelah beberapa lama menghidap barah payudara. Beliau kemudiannya dikebumikan di Tanah Perkuburan Islam Jalan Ampang.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_9638F712_8487_D0EA_41D9_7FB0F9501075.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Siapa yang boleh melupakan lakonan mantap Nordin Ahmad di dalam filem-filem Cathay-Keris seperti Raden Mas (1959), Noor Islam (1960), Hang ebat (1961), Sri Mersing (961). Sultan Mahmood Mangkat Di-Julang (1961), Dang Anom (1962), Lanchang Kuning (1962), Chuchu • Datok Merah (1963), Tajul Ashikin (1963), Ayer Mata Duyong (1964), Patong Chendana (1965) dan Gurindam Jiwa (1966). Nordin Ahmad sentiasa berada di dalam kelasnya yang tersendiri dalam memperlihatkan kewibawaannya sebagai seorang pelakon yang mempunyai daya penghayatan yang sangat tinggi. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Nordin Ahmad juga dikatakan seorang pelakon yang sangat cerewet di lokasi. Menurut pengarah M. Amin, Nordin Ahmad agak lambat untuk memulakan penggambaran jika beliau belum berpuas hati dengan rehearsal Nordin Ahmad akan meneliti skrip dari hari pertama beliau menerimanya. Jika beliau tidak am isi kandungan dan hubungkait wataknya dengan watak yang lain beliau akan menemui penulis skrip berkenaan untuk mengetahui apa yang dimaksudkan. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Di Cathay-Keris, Nordin Ahmad telah menemui pasangan layar peraknya yang paling serasi iaitu Latifah Omar. Pihak studio beranggapan gandingan Nordin Ahmad bersama Latifah Omar adalah satu perkembangan yang baik buat studio dan telah mengarahkan lebih banyak filem-filem bermutu lakonan mereka berdua diterbitkan bagi menyaingi filem-filem keluaran MFP. Faktor ini menjadi salah satu strategi pihak studio untuk mengaut keuntungan yang besar kerana boleh dikatakan filem yang menggandingkan mereka berdua pasti mendapat pulangan yang lumayan jika ditayangkan pada ketika itu.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Kehebatan Nordin Ahmad sebagai pelakon meyakinkan pihak pengurusan Cathay-Keris mencuba prestasinya sebagai pengarah pula. Pada tahun 1963 Nordin Ahmad telah dilantik sebagai pengarah untuk filem pertamanya berjudul Wan Perkasa (1964). Filem sulung arahannya itu telah menempa kejayaan dan diikuti beberapa lagi filem seperti Kaseh Ibu (1965), Naga Tasek Chini (1966), Playboy (1967), Kekaseh (1968), Si-Murai (1968), Nafsu Belia (1969), Keranda Berdarah (1969) dan yang terakhir Lobang Nuraka (1970).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Walaupun Nordin Ahmad dipandang hebat sebagai seorang pelakon yang mampu menghayati setiap watak lakonannya, namun kebanyakan pengkritik filem berpendapat beliau kurang berjaya sebagai pengarah Ini kerana mereka menilai Nordin Ahmad dari sudut lakonan bukan pengarahan. Ada pengkritik filem pada ketika beranggapan Nordin Ahmad sangat condong kepada gaya pengarahan P. Ramlee.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Nordin Ahmad telah mendirikan rumahtangga dengan Salmah Ibrahim pada tahun 1952 selepas selesai penggambaran filem Permata Di-Perlimbahan, Perkahwinan mereka dikatakan bermula dari usikan rakan-rakan semasa mereka bersama-sama bekerja di Jalan Ampas. Hasil dari perkahwinan mereka telah dikurniakan tiga cahaya mata iaitu Asmah, Norman Shah dan Hasnor. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Nordin Ahmad meninggal dunia pada hari selasa, jam 4.30 petang di Hospital Besar Singapura ketika usia 42 tahun, akibat penyakit demam kuning yang dideritainya beberapa bulan sebelum itu. Jenazahnya telah dikebumikan di Tanah Perkuburan Islam, Bedok pada keesokkan harinya. Pada tahun 1980-an pihak kerajaan Singapura telah menggali semula tanah perkuburan Bedok untuk tujuan pembangunan. Maka pusara Nordin Ahmad dan penghuni lain perkuburan berkenaan telah dipindahkan ke Pusara Abadi, Lim Chu Kang, Singapura. Disitulah bersemadinya jenazah seorang seniman besar dan terunggul dalam lipatan sejarah filem Melayu sehingga sekarang. Nordin Ahmad sentiasa menjadi inspirasi kepada pelakon generasi selepasnya yang menginginkan sesuatu resipi lakonan padat, mantap dan berwibawa. Antara sesalan kebanyakkan pelakon hari ini ialah tidak berkesempatan bersua muka dengan pelakon legenda itu kerana telah dijemput terlalu awal menemui Ilahi ketika masih ramai yang menanam minat terhadap kehebatan persembahan beliau.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Demikianlah hilangnya sebutir bintang yang seluruh hidupnya diabadikan untuk seni.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.74vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_2AC2FEE2_70E5_3841_41B2_57426B48A94E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Tidak lama kemudian, pihak MFP dapat mengetahui kegiatan A.R. Tompel bersama Nusantara Film. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Beliau kemudiannya berhenti dari syarikat tersebut dan kembali beraksi di pentas lawak jenaka dan bangsawan. Pada tahun 1960, A.R. Tompel kembali ke dunia perfileman dengan menyertai Merdeka Film Studio (MFS) di Kuala Lumpur. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Kali ini, tumpuan beliau bukan sahaja sebagai pelakon, tetapi juga sebagai pengarah, penulis cerita, skrip dan lirik lagu.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Di MFS, A.R. Tompel terlibat di dalam filem-filem seperti Tun Tijah (1960), Abu Nawas (1961), Keris Sempena Riau (1961), Selendang Merah (1962), Siti Payong (1962), Do Re Mi (1966), Nasib Do Re Mi (1966), Keluarga 69 (1967), Anak Bapak (1968), Gerimis (1968), Alimad Albab (1968) dan Laxmana Do Re Mi (1973).</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.2vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:1.739999999999999vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:1.74vh;font-family:'Open Sans Semibold';">Pada tanggal 30 Januari 1973, beliau dikatakan terlibat dalam sebuah kemalangan selepas berjumpa dengan Seniman Yusoff Surya di Setapak. Jenazah beliau telah dikebumikan di Tanah Perkuburan Islam Jalan Ampahg.</SPAN></SPAN></DIV></div>
HTMLText_131F2B74_4180_76B4_41BB_770A3AD09499.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:right;font-size:7.829999999999996vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#04a3e1;font-size:7.83vh;font-family:'Bebas Neue Bold';">___</SPAN></SPAN></DIV><DIV STYLE="line-height:127%;text-align:right;font-size:3.4178610804851157vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.42vh;font-family:'Bebas Neue Bold';"> MOTION PICTURE PRINTING EQUIPMENT CO. PRECISION PETERSON DESIGNED </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-It is able to print picture and sound together with a speed of 60 or 120 feet per minute in 1 operation. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-There are also flanges on the machine that worked as film rools holder.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-Sound side of the film are support by a new type of rolling drum and to ensure perfect contact between the negative and positive print, it used precision contact rollers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_170F963A_4181_BEBD_41C4_25DE09F6C22B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:right;font-size:7.829999999999996vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#04a3e1;font-size:7.83vh;font-family:'Bebas Neue Bold';">___</SPAN></SPAN></DIV><DIV STYLE="line-height:127%;text-align:right;font-size:3.4178610804851157vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.42vh;font-family:'Bebas Neue Bold';">AUDIO MIXING CONSOLE</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">- Shaping the Film's Sound: An audio mixing console allows a sound engineer to create the right atmosphere for each scene in a film.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">- Balancing Sound: The sound engineer can adjust the balance between dialogue, music, and sound effects to ensure clear and harmonious sound.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">- Improving Sound Quality: By using various sound effects and signal processing tools, the sound engineer can improve the overall sound quality.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">- Matching Sound to Film Genre: Each film genre has different sound characteristics. The audio mixing console allows the sound engineer to match the film's sound to the appropriate genre.</SPAN></SPAN></DIV></div>
HTMLText_1DE52E62_4180_4ECD_41CB_EFC3E3BF1B26.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:right;font-size:7.829999999999996vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#04a3e1;font-size:7.83vh;font-family:'Bebas Neue Bold';">___</SPAN></SPAN></DIV><DIV STYLE="line-height:127%;text-align:right;font-size:3.4178610804851157vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.42vh;font-family:'Bebas Neue Bold';">MOVIOLA EDITING MACHINE (1950)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-This machine makes easier for lots of film editor to view the film while editing.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-The emergence of this product, give awareness to the film industry until many studios are quickly get this Moviola as the need for editing with portable function.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-Moviola are well-known because of its ability in editing celluloid film and get trusted from customers, in between 1924 to 1970.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_14D648CC_4180_53D5_41AB_68619FAB9DE3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:right;font-size:7.829999999999996vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#04a3e1;font-size:7.83vh;font-family:'Bebas Neue Bold';">___</SPAN></SPAN></DIV><DIV STYLE="line-height:127%;text-align:right;font-size:3.4178610804851157vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.42vh;font-family:'Bebas Neue Bold';">RANK CINTEL TELECINE MACHINE MODEL MK III (1990s)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-Telecine are able to transfer a film to video with support by a color suite system.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-The original captured on film stock are able to be motion picture with the support from telecine to be viewed with video equipment such as TV, Video Cassette Recorders (VCR), computers, DVD, and more. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-Ursa Gold has upgraded the machine where it helps to reduce noise in picture.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_80A4607F_95BC_84C4_41E0_934124B08A5E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:right;font-size:7.829999999999996vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#04a3e1;font-size:7.83vh;font-family:'Bebas Neue Bold';">___</SPAN></SPAN></DIV><DIV STYLE="line-height:127%;text-align:right;font-size:3.4178610804851157vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.42vh;font-family:'Bebas Neue Bold';">SOUNDCRAFT SERIES 1S AUDIO MIXER(1970s)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">- Shaping the Film's Sound: An audio mixing console allows a sound engineer to create the right atmosphere for each scene in a film.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">- Balancing Sound: The sound engineer can adjust the balance between dialogue, music, and sound effects to ensure clear and harmonious sound.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">- Improving Sound Quality: By using various sound effects and signal processing tools, the sound engineer can improve the overall sound quality.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">- Matching Sound to Film Genre: Each film genre has different sound characteristics. The audio mixing console allows the sound engineer to match the film's sound to the appropriate genre.</SPAN></SPAN></DIV></div>
HTMLText_173883E4_4181_D5D5_416C_F87237A41277.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:right;font-size:7.829999999999996vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#04a3e1;font-size:7.83vh;font-family:'Bebas Neue Bold';">___</SPAN></SPAN></DIV><DIV STYLE="line-height:127%;text-align:right;font-size:3.4178610804851157vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.42vh;font-family:'Bebas Neue Bold';">STUDIO PROJECTOR TYPE PR-635-B</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-It is an electronic highspeed projector through the sprocket operation at 3X and 6X speed.</SPAN></SPAN></DIV><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;"> </SPAN></SPAN></DIV><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-This studio projector also provided simple push button</SPAN></SPAN></DIV><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">control for all projector functions.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-It’s support with lamp house table for 1000 &amp; 2000 Watt Xenon Lamphouses and Power Supply.</SPAN></SPAN></DIV></div>
HTMLText_170FD285_4180_5657_4171_5E6748A8A547.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:right;font-size:7.829999999999996vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#04a3e1;font-size:7.83vh;font-family:'Bebas Neue Bold';">___</SPAN></SPAN></DIV><DIV STYLE="line-height:127%;text-align:right;font-size:3.4178610804851157vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.42vh;font-family:'Bebas Neue Bold';">TEENBECK FLATBED FILM EDITING (2000s)</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-With the total of 25,000 units operated around the world, this is a prove that this flatbed editors are very helpful in producing high quality work at that time.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-It has low risk of damage compared to movie projector.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-By using this, editor must synchronize picture and sound because they are recorded separately. So, the final results would be both picture and sound rolls advance or reverse by exactly the same amount to maintain synchronization.</SPAN></SPAN></DIV></div>
HTMLText_14EFCD4B_4180_52D3_41CB_1ADB4EFE6D26.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:right;font-size:7.829999999999996vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#04a3e1;font-size:7.83vh;font-family:'Bebas Neue Bold';">___</SPAN></SPAN></DIV><DIV STYLE="line-height:127%;text-align:right;font-size:3.4178610804851157vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.42vh;font-family:'Bebas Neue Bold';">VIDEO CASSETTE RECORDER BR-S822E</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-This model is the last generation of S-VHS professional edit recorders.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-If there are any demands regarding to the vintage video combined with high quality of sound and picture, these machines are suitable to meet that requirement.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-We can control it by ourselves whether slow or fast forward or backward, frame by frame at the touch of a finger.</SPAN></SPAN></DIV></div>
HTMLText_14FF51B9_4181_B5BF_41BF_1882FF623FF8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:right;font-size:7.829999999999996vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#04a3e1;font-size:7.83vh;font-family:'Bebas Neue Bold';">___</SPAN></SPAN></DIV><DIV STYLE="text-align:right;font-size:3.4178610804851157vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:3.42vh;font-family:'Bebas Neue Bold';">VIDEO CASSETTE RECORDER (VCR) BR6400TR </SPAN></SPAN></DIV><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-Any audio that has been recorded by this cassette</SPAN></SPAN></DIV><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">can play back for more than 1 time.</SPAN></SPAN></DIV><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;"> </SPAN></SPAN></DIV><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-The VCR designed to record in either the PAL or SECAM standards. To get a Phase Alternate Line (PAL)</SPAN></SPAN></DIV><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">signal, we should have a PAL camera.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:right;font-size:1.2000000000000008vh;"><SPAN STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:1.2vh;">-It consists of advanced features  including 10X shuttle (variable speed with remote control) </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:1.2vh;"><BR STYLE="display:inline-block; letter-spacing:0vh; white-space:pre-wrap;color:#000000;font-size:1.09vh;font-family:Arial, Helvetica, sans-serif;"/></p></div>

## Tour

### Description

### Title
tour.name = FINAS F.E.E.L

## VR Menu

### Text
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